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ead Man’s Hand: Casino of the Damned
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As a ‘Full Moon’ junkie, I may be somewhat biased, but that wasn’t as terrible as it’s been made out to be on the ‘net.
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I won’t go in to a long-winded bustle down of the film (the other review does a valid job of that) but, here are some thoughts:
The movie looks Sizable compared to other Stout Moon (and b-horror for that matter) flicks. Camera work is worthy, audio is obliging, color is qualified. The acting is passable, again you have to remember what you’re dealing with here, the gore is .. ok ..
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My issues with this lie in the pacing more than anything else. Two people gain waxed within the first 5 or 10 minutes of the movie then there’s………….NOTHING. No action until the last 1/4 of the film. This fact makes ‘Dead Man’s Hand’ a total yawnfest for the most section.
Great strides in the audio/visual department here, a few steps encourage in the action and true enjoyability category.
Wait til it’s out for a while and the heed goes down, but if you’re a Chubby Moon ‘freak’ you’ll probably indulge in it. If not, support browsing.
You know how in splatter flicks, “Bawl” being the exception that proves the rule, having sex is a obvious ticket that a character is going to die? Well in “Lifeless Man’s Hand: Casino of the Damned,” there are characters who merit their deaths by PRETENDING to have sex. Of course, in this film you can waste up unprejudiced as slow by deciding whether or not to ask for another card at the blackjack table. But that is what you have to interrogate when the dealer is tiresome. This is at least the third movie with the title “Lifeless Man’s Hand” made this century, and although the hand that was in Will Bill Hickock’s hands when he was gunned down does advance into play at the climax of the movie, it is really the “Casino of the Damned” that is more indicative of what this attempt at camp scare is all about.
Matthew Dragna (Scott Whyte) inherits an stale casino from his uncle and shows up with his friends to notice what he now owns is a decrepit gambling palace that got shot down after a bloody mob massacre took position there. There’s Matthew’s girlfriend JJ (Robin Sydney), Emily (Lily Rains) who is the quick-witted one with the glasses who has a system for counting cards, Jimbo (Wes Armstrong) the superb guy, Skeeter (Kavan Reece) the jerk, and Paige (Kristyn Green), his vocal girlfriend. They display up trying to figure out how to turn the location into their have personal goldmine, only to perceive that that whatever else might not arrive with the status it does have a curse. It seems that it was Matthew’s uncle who was responsible for the massacre and they have been waiting for payback for some time now.
Heading up the ghosts that manufacture up the titular Casino of the Damned are a couple of familiar faces, Sid Haig (“House of 1,000 Corpses”) as Roy “The Word” Donahue and Michael Berryman (“The Hills Have Eyes”) as Gil Wachetta, but neither of them is required to do anything let alone accept into their roles. You also have a creepy bartender (Bob Rumnock), a chilly blonde (Jessica Morris), and a crazed Blackjack dealer (Rico Simonini) . Yes, that means there are five ghosts honest like there are five cards in a poker hand, whether it is aces over eights or not. Now that a blood relative of the man who killed them has showed up they want to even things up by killing five of the six. At least this is an engaging idea: one of them is guaranteed to bag out alive. I saw something similar in another anxiety film earlier this month, but neither one of them really exploits the view, which could find stunning intense when the choice between death or life comes down to you and the one that you admire. But “Stupid Man’s Hand” does not go in that direction. In fact, it takes a long time to derive around to distinguished of anything happening that would be on interest to terror fans.
This 2007 film is directed by Charles Sign for Chunky Moon Pictures, which Price started after Empire Pictures collapsed in the 1980s. Impress has produced a couple hundred movies under assorted names and directed a couple dozen films, and approach up with anecdote ideas for a bunch as well, most notably the “Puppetmaster” trilogy. The script is by August White (“Doll Graveyard”) and if this 80-minute film were a 30-minute episode of some television terror anthology it would be a whole lot better because basically it steal design too long for what shrimp happens in this film to launch happening. There are quantitative and qualitative problems with the camp half of the equation here, and by the time we regain to survey the faulty faces of the ghosts they peep humorous rather than horrific or even campy. This is a low-budget quickie and it shows.
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